I’ve been trying to have to work included in the @secret7s exhibition since 2011. Never before have I obsessively applied for a show like I have to this one.

In 2010 I had just graduated from Drama School, which was revolting, and I wanted to make visual art again. I read about this show, which would anonymously reproduce hundreds of 7” vinyls of incredible, already released bangers, with commissioned, submitted artworks from around the world. All the money raised from the vinyl sales would be donated to charities giving to children affected by conflict. The music was incredible. The cause important.

In my time applying for Secret 7” I have submitted work to appear on singles by Florence and the Machine, Massive Attack, Elton John and The Cure. All unsuccessful. Works I’m still proud of.

This year I thought I’d give the old girl another crack. A track ‘Purple’ by rock goddess SKIN, featured in her sophomore solo record, stood out. It came out in my first year of art school and I remember singing it as I walked through Hindley Street on my way to buy oil paints from Light Square.

I scoured Etsy for a chainmail hood. I asked my friend Zhana to create a makeup look appropriate for an experienced warrior. I snapped a black and white #Polaroid which I digitally coloured (in Photoshop, using a saturation mask, like a normal fckn human being without the use of any AI).

I was only allowed to listen to @skin_skunkanansie in my childhook home when my parent was not home OR through my shitty K-Mart discman’s headphones. No screaming.

I would watch the end of my VHS copy of Cruel Intentions just so I could practice singing like SKIN. This is before my Uncle would purchase the soundtrack for my birthday from The Compact Disc Shop (shout out) to the woe of my entire street. She is truly one of my favourite rock vocalists and musicians of all time. What an incredible honour to have a Polaroid I took be featured as her single art.

And what an incredible honour to feature a proud queer woman on the cover of a track by another proud queer woman. Thank you #SKIN. Thank you Zhana. Thank you #Secret7 and my sincere congratulations to all the artists involved. …

‘The Arch Window’ 🪟
2026
Shot on i-Type Polaroid
Full photoset available via my Patre0n tomorrow.

#polaroid #stainedglass #queerart …

‘Portrait Of A Lady’
2026
20 x 24cm
Mixed media on @archespapers hot pressed watercolour paper
–
Thank you so much to Leslie for commissioning me to capture her dearly departed, double-box loving diva, ‘Lady’.
–
#commission #portrait #catinstagram …

‘Jerk Off #1’ (Sold)
2026
A5
Mixed media on watercolour paper
For the @incognitoartshow

In the mid 60s Warhol did her big one and found a way to frame a queer sexual act in such a way that it was shown in galleries and museums across the world, to roomfuls of horny curators and bisexual art-film aficionados, to this day.

Warhol’s most vulnerable and perverse fantasies about routine celebrity and the commercialisation of sexuality are such common practice in 2026 I think even he would get the ick at how accurate he got it.

Despite this, mainstream society still remains chaste and sexuality, nakedness and art that deals with these subjects is still heavily censored or removed from digital platforms as a rule. A frustrating binary opposition.

By reimagining Warhol’s ‘Blow Job’ as an isolated solo act and drawing this triptych of screenshots from a real c*mshot created and performed for monetary gain, I am patching this work with a cursed update.

What do these expressions mean when I’m making myself perform them for you and they cost you $12.99 a month to see? What is real?

How are *you* feeling, watching me perform this feeling for you? Do you feel good seeing my body feel good? Is it working? (I don’t care).

Thank you to @drawingnicholasnyc for being such an incredible collaborator, model and for and helping me realise this series.

Featured above: ‘Blow Job’ (still) by Andy Warhol, 1964.

#portrait #moneyshot #warhol …

‘Jerk Off #2’ (Sold)
2026
A5
Mixed media on watercolour paper
For the @incognitoartshow

In the mid 60s Warhol did her big one and found a way to frame a queer sexual act in such a way that it was shown in galleries and museums across the world, to roomfuls of horny curators and bisexual art-film aficionados, to this day.

Warhol’s most vulnerable and perverse fantasies about routine celebrity and the commercialisation of sexuality are such common practice in 2026 I think even he would get the ick at how accurate he got it.

Despite this, mainstream society still remains chaste and sexuality, nakedness and art that deals with these subjects is still heavily censored or removed from digital platforms as a rule. A frustrating binary opposition.

By reimagining Warhol’s ‘Blow Job’ as an isolated solo act and drawing this triptych of screenshots from a real c*mshot created and performed for monetary gain, I am patching this work with a cursed update.

What do these expressions mean when I’m making myself perform them for you and they cost you $12.99 a month to see? What is real?

How are *you* feeling, watching me perform this feeling for you? Do you feel good seeing my body feel good? Is it working? (I don’t care).

Thank you to @drawingnicholasnyc for being such an incredible collaborator, model and for and helping me realise this series.

Featured above: ‘Blow Job’ (still) by Andy Warhol, 1964.

#portrait #moneyshot #warhol …

‘Jerk Off #3’ (Sold)
2026
A5
Mixed media on watercolour paper
For the @incognitoartshow

In the mid 60s Warhol did her big one and found a way to frame a queer sexual act in such a way that it was shown in galleries and museums across the world, to roomfuls of horny curators and bisexual art-film aficionados, to this day.

Warhol’s most vulnerable and perverse fantasies about routine celebrity and the commercialisation of sexuality are such common practice in 2026 I think even he would get the ick at how accurate he got it.

Despite this, mainstream society still remains chaste and sexuality, nakedness and art that deals with these subjects is still heavily censored or removed from digital platforms as a rule. A frustrating binary opposition.

By reimagining Warhol’s ‘Blow Job’ as an isolated solo act and drawing this triptych of screenshots from a real c*mshot created and performed for monetary gain, I am patching this work with a cursed update.

What do these expressions mean when I’m making myself perform them for you and they cost you $12.99 a month to see? What is real?

How are *you* feeling, watching me perform this feeling for you? Do you feel good seeing my body feel good? Is it working? (I don’t care).

Thank you to @drawingnicholasnyc for being such an incredible collaborator, model and for and helping me realise this series.

Featured above: ‘Blow Job’ (still) by Andy Warhol, 1964.

#portrait #moneyshot #warhol …